The first 150 pages of this book—describing a woman’s death
from cancer—were almost unreadable; they were as harrowing as anything I've ever read. The second 256 pages—describing
Lily Bloom’s experience in the afterlife—were almost unreadable for the
opposite reason, being so facetious and packed with the author’s exhausting
cleverness. At first, I welcomed the change in emotional gears, but as the
novel dragged on (and on) the gag, never all that original to begin with (the
afterlife is a lot like this life; in fact, the dead often exist side by side
with the living without the latter even noticing), wore thinner than an uncle’s three-strand
comb-over. Will Self is without a doubt a real maestro with the language, but this
book could have been shorter by half and it’s point would have been twice as
sharp.
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